Việt Nam is the second-largest producer of coffee in the world.1 If this comes as a surprise to regular coffee consumers living outside Việt Nam, it would certainly not be a surprise after spending even a brief amount of time in the country. Cafés line major through streets and fleck back alleyways while blurring the line between public and private space. In fact, one industry-known café down an alleyway in an outer district of Ho Chi Minh City does not appear to be a café at all—a local coffee enthusiast opened his home (and his costly espresso machines and refrigerator) to young amateur baristas looking to develop their latte art skills. In informal spaces like the alleyway café, prospective entrepreneurs share ideas and pour steamed milk into locally roasted espresso while visually documenting the experience for dissemination on social media platforms. Although cafés are highly visible in much of the country, coffee itself is also widely recognized as a major cash crop grown in Việt Nam. Buon Ma Thuot, the “Coffee Capital” of Việt Nam and provincial capital of the leading coffee-producing Dak Lak Province, holds a biannual coffee festival that draws thousands of visitors for the event, often sponsored by major coffee joint stock companies with intimate ties to the state.
I first met Hoang outside of Dalat while visiting a coffee farm and small tasting and quality-control laboratory he used to sample roast his harvested and processed coffee before storing it in warehouses. In the laboratory, I heard about Hoang’s entrepreneurial ambitions—they seemed large yet feasible. He was in the early stages of developing an all-inclusive café experience that would cater to locals and foreign tourists alike. The café would feature locally grown varietals of coffee and a roasting space, storage facility, and classroom for lectures and other forms of educational exchange. Several years later, on a return trip to Dalat, the café was open. When I first visited, I had to wait for a seat to open; the café was packed with young outof-town photographers sharing and editing their work, while other patrons took selfies and mobile phone photographs of their latte art and carefully plated pastries. What was once an entrepreneurial dream for a coffee enthusiast eventually became a thriving private enterprise with ambitious local, national, and global plans. At the local level, the company’s original location became a space for coffee education through farm tours and classroom lectures, while the financial success of their wholesale venture and café became increasingly evident.
It is difficult to quantify what entrepreneurial success looks like in Việt Nam, but expansion, profit, and praise are certainly important indicators. While some small café ventures have taken a “slow and steady” approach to growth, others have taken a much more aggressive line to business development while thinking carefully about economies of scale and realistic ways to navigate the complicated private business landscape in Việt Nam. Hoang’s venture is one such example of a successful and aggressive café venture. Of course, the success of this café was carefully planned and executed by a Vietnamese entrepreneur who innovatively found a way to forge a café with a new style of drinking coffee, distinct from many other cafés in the country. Notably, Hoang has openly expressed the opinion that coffee quality and the long-term sustainability of the Vietnamese coffee industry should come before their own financial success—rarely does he talk about the company’s economic success or expansion plans. When asked about next steps, he once told me that “putting Vietnamese coffee on the map for quality” was an immediate and feasible goal. The ostensible success of this venture is marked not by conspicuous consumption, but rather the publicly shared praise for the café aesthetic, unique signature drinks, and proximity to Việt Nam’s high-altitude coffee-producing region. Much of this success is exhibited visually across the social media accounts, blogs, and travel video logs of the Vietnamese who frequent the original location in Dalat. With limited advertising and promotion on the part of the café itself, ubiquitous hashtags, amateur photographs, and word of mouth create an organic spread of popularity and marker of success.
By shaping and sharing their aspirations for success within the confines of the state, entrepreneurs like Duc, Mai, and Hoang reveal personal limitations while recognizing the productive role of developing an entrepreneurial spirit and intentionally embracing the challenges of innovating. For young women like Mai, the challenges are structural—hersocioeconomic position as a third-generation coffee farmer in Việt Nam and the kinship obligations that come with this are especially poignant. For others innovating in the Vietnamese coffee industry, they are creating a new entrepreneurial platform that challenges already-conspicuous consumers to explore new forms of consumption. For example, opening a café that reimagines the style of a nearly iconic Vietnamese drink, the ca phe sua da, is an entrepreneurial move that invites domestic consumers who desire a traditional drink to flourish alongside those who have immediate access to global spaces of consumption. These creative innovations and the work of consumers to promote nascent enterprises require significant sacrifice and energy to the point that “entrepreneurs are constantly busy without having any specific plans to be so.”13
The overlay of private entrepreneurship and social entrepreneurship is an especially “busy” place for entrepreneurs to navigate as state regulations and bureaucracy seem to reveal with growth and financial success. This overlay is also a space for unpacking the ways in which entrepreneurship emerges as a cultural category in Asia while affirming that the categories of and practices of social entrepreneurship and private entrepreneurship are not necessarily mutually exclusive. This becomes especially clear in commodity industries where the problematic nature of larger certification agencies and projects like “fair trade” have been disclosed and taken into account as cafés develop their own ways to address social inequalities in the larger Vietnamese coffee community.14 One barista I have known since 2014 is especially open about her desire to give back to her community through her passion for coffee—a passion realized in selling coffee directly to consumers, having conversations with them, and creating an educational environment about coffee production in Việt Nam alongside consumers.
Private entrepreneurship in Việt Nam is partially about capturing a larger cultural moment—a hashtag-heavy culture in which symbolic capital is shaped by the experiences captured and cataloged for a larger sphere of Vietnamese and global social networks. The coffee quality and attention to where it comes from, how it is produced, environmental sustainability, and reputation are important, but so too is the extent to which a café space potentially serves as an influencer in the cultural lives of Vietnamese consumers. The entrepreneurial spirit of people like Hoang is especially noteworthy, as his business training is informal and experiential. Like many entrepreneurs elsewhere in the world, he is a creative self-starter with an eye for the future of coffee in Việt Nam. Following the success of Hoang, several other specialty coffee initiatives took off in Dalat, but rather than framing this as a competitive grappling for customers, the specialty coffee community in Dalat is relatively supportive and community-focused, with entrepreneurs quick to acknowledge their shared goals.
Entrepreneurial Futures
In post-Doi Moi Việt Nam, as the effects of neoliberalism, state development, and private entrepreneurship unfold, one may be hard-pressed to avoid seeing the entrepreneurial spirit at work. Tactical marketing schemes abound in Việt Nam, transcending rural-urban divides and encouraging questions about who can be an entrepreneur and what constitutes entrepreneurship in the first place. Duc, Mai, and Hoang, despite their different paths and backgrounds, are all driven by the opportunities present in Việt Nam’s entrepreneurial landscape. They are also acutely aware of the potential for failure—many of their friends and colleagues pursued entrepreneurship, starting small with desired expansion and industry recognition, only to shutter their doors within a year. These entrepreneurs are distinct in that their creative vision of entrepreneurship rests upon an intimate knowledge of global café culture, new coffee technology, and an aesthetic that bridges the gap between global and local. To pursue private entrepreneurship in Việt Nam is to recognize the risks and rewards inherent in the “economic dynamism” of the country and its youth.15
The Vietnamese specialty café world is a small one, especially considering its small presence in such a massive coffee-producing country. This is not lost on any café entrepreneur with aspirations to rewrite Việt Nam’s
coffee history—turning away from both a French colonial cash crop venture and the post-Doi Moi boom of low-grade commodity coffee—into one that tells their story of creativity and innovation. The narratives that Mai and Hoang want to sell may seem distinct, but they both express a desire to make Vietnamese specialty coffee and cafés specifically for locals, with an eye on global consumption styles. Unlike “bottom-up-pyramid” schemes in social entrepreneur development initiatives or the self-fulfilling market-oriented private entrepreneur, Mai and other café entrepreneurs help us think through the ways in which development in Việt Nam fosters entrepreneurs who fall somewhere in between the social and private.16 The creativity involved in conceptualizing a new specialty café fosters social entrepreneurship in its framing of Vietnamese coffee as something born of Vietnamese labor, quality control, and a fair price for all those involved in production. Simultaneously, conceptualizing a new specialty café emboldens private entrepreneurship while profit, expansion, and intentional branding draw in consumers.
Harvard-Style Citation
G. Grant,
S.
(2019) 'Café Creatives: Coffee Entrepreneurs in Việt Nam',
Education About Asia.
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